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SALONE DEL MOBILE 2017

SET UP BY PAOLA NAVONE, SPECIALLY EDITED BY ABET LAMINATI
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ABET LAMINATI - DINNER ON STAGE - TEATRO DELL'ARTE TRIENNALE DI MILANO
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MAISON&OBJECT / 22-26 JANUARY 2016 / PARIS NORD VILLEPINTE
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PRODUCTS

DR•ØNE
DUE TO THE PROCESSING OF DR•ØNE IN FOLDING, YOU CAN EASILY REALIZE A STRUCTURE
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SALONE DEL MOBILE - MI - 2016
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VENICE DESIGN 2016 - KARIM RASHID & ABET LAMINATI
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ATELIER MENDINI. LE ARCHITETTURE - LA TRIENNALE DI MILANO 2018

MADE BY DE ROSSO & ABET LAMINATI
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PRODUCTS

FORME
IN THIS WAY, UNIQUE AND CUSTOM-MADE FURNISHING, STARTS IN A VIRTUALLY LIMITLESS
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PRODUCTS

ALFABETO
LIGHT AND SHADE RELATIONSHIPS, SOLID AND VOID, THICKNESS, CONTOUR, IRREGULAR SHAPES
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SALONE DEL MOBILE 2018
17-22 APRILE - VIA TORTONA, 31 - PAOLA NAVONE / MILANO

PHOTO CREDITS: ENRICO CONTI
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PRODUCTS

TRIPLANO
TRIPLANO WAS BORN FROM A DESIGN ERGONOMIC PROJECT WHICH IS CHARACTERIZED BY AN
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PRODUCTS

TABLES
EXTREMELY PERSONALIZED DESIGN CREATIONS, WHICH ARE ACCOSTABLE AMONG THEMSELVES THANKS
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STUFF WE LIKE

DOMNIUS / USA IMPORTER
info@domnius.com
Empire State building, 350 Fifth Avenue, 41st Floor New York 10118
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ABET LAMINATI MUSEUM
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DIPLOS - ALDO CIBIC - COLOURS ON THE MOVE - @ UNIVERSITÀ DEGLI STUDI DI MILANO

MADE BY DE ROSSO & ABET LAMINATI
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SALONE DEL MOBILE - MILANO - 2017
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PRODUCTS

KRISTHO
KHRISTO IS A TELESCOPIC COLUMN FIXED BY PRESSURE FROM FLOOR TO CEILING. IT IS AN
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SALONE DEL MOBILE 2018
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MATERIALS

LAMINATE ROOT FINISHING
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PRODUCTS

ALI_ANTE
ALI_ANTE IS THE SLIDING DOOR SYSTEM THAT CLOSES SPACES OF ANY DEPTH DELIMITING
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PRODUCTS

DR MØRE
A NATURALLY NEW FURNISHING, TO BE DISCOVERED FOR CITIZENS OF THE WORLD WHO KEEPING IN
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PRODUCTS

TAKEBOOK
AVAILABLE PANELS COME IN FOUR THICKNESSES AND THEY CAN BE POSITIONED FREELY, WITHOUT
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THE LAMINATE
A MATERIAL WITH EXTRAORDINARY EXPRESSIVE SKILLS AT THE SERVICE OF DESIGN.
The history of design furniture of the last half-century is closely interlaced with that of the laminate. This versatile and exciting material, able to convey signs, information, emotions has been privileged by designers that have considered the decoration as an essential aspect of the furniture.

Extraordinarily practical, flexible, resistant, the laminate is capable of varying colours, textures, finishes and images to create exciting and stimulating surfaces of primary importance and significance. The laminate has offered to designers a boundless creative freedom and at the same time the opportunity to present their works with a choice clearly marked and recognizable, always careful to the expressive values.

There have been numerous and important designers, who have found with the laminate the ideal technological resource to express their creativity.

CARLTON, PLASTIC LAMINATE FURNITURE BY ETTORE SOTTSASS (1981).

The piece of furniture that has become the symbol of the change of expression of contemporary modern furniture. An anthropomorphic totem with symbolic and emotional values, ironic and visionary, that approaches sacred and profane, assembling one over the other geometric shapes in colored laminate.
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MATERIALS

LAMINATE_TEX FINISHING
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KASADIGITALIA KARIM RASHID PART5
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MATERIALS

LAMINATE_DGP BLACK&WHITE 3
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BIANCO 411 PART1
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LIVE IN OFFICE PART02
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MATERIALS

LAMINATE_CRESP FINISHING
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KASADIGITALIA EUNWOO PART7
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DESIGNERS

STUDIO ALCHIMIA E GRUPPO MEMPHIS
Lo Studio Alchimia venne fondato nel 1976 a Milano da Alessandro Guerriero con la collaborazione, tra gli altri, di Alessandro Mendini, Andrea Branzi, Ettore Sottsass, Franco Raggi, Lapo Binazzi (Ufo) e Michele De Lucchi. Ad essi di aggregarono anche protagonisti della Transavanguardia come Enzo Cucchi, Mimmo Paladino, Sandro Chia, oltre a protagonisti della scena teatrale come i Magazzini Criminali. Alchimia ha sviluppato la ricerca ambientale e psicologica creando oggetti pensati per soddisfare i bisogni di un vasto pubblico e comunicare morbidezza e sensazioni positive sotto il connubio di arte/design. Il gruppo Memphis è il collettivo di designer formato da Ettore Sottsass, Hans Hollein, Arata Isozaki, Andrea Branzi, Aldo Cibic, Michele de Lucchi ed altri architetti di livello internazionale, che nel 1981 decisero di reagire al minimalismo che aveva caratterizzato il decennio precedente con progetti di mobili ed altri oggetti dalle linee audaci e molto colorati, che si ispiravano a movimenti come il Futurismo, l'Art Déco e la Pop Art. Molti mobili erano rivestiti in laminato plastico, materiale scelto appositamente per le sue possibilità espressive. > Gruppo MEMPHIS 1981, da sinistra Aldo Cibic, Andrea Branzi, Michele De Lucchi, Marco Zanini, Nathalie du Pasquier, George j. Sowden. Martine Bedin, Matteo Thün, Ettore Sottsass.
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